Tuesday, May 21, 2019

The Boatneck Top


I am finally wearing my new silk boatneck top that I started in 2018 with Susan Khalje.

That tuck disappeared during the day.
Back in 2017 when a group of us were discussing what we would make if Susan made it back to Australia again, I always said it would be the Ann Klein Womens Peacoat V1467.

When we heard that Susan was coming to Australia again in 2018 I realised that my wrist was still not 100% and I didn't think all the tailoring involved in this project would be a good idea.

Talking to my sewing friends about a suitable project, Wendy mentioned Susan's new Boatneck top that CissieW had mentioned on a Pattern Review that she had worn when she reviewed Susan's Skirt.  Once I read the description of the top I emailed Susan and she organised for the pattern to be sent to me to prepare my toile for the class.


Susan made some adjustments to the neck and shoulder and felt that this was the best starting point.

For the class I had purchased some gorgeous burgundy silk from Tessuti Fabrics.

One of the design challenges we had was that I wanted long sleeves but not a zipper down the centre back, but on the left hand side of my top.  This is not an issue if you have short sleeves, but as I wanted long sleeves Susan came up with the use of a placket.

When sewing the left sleeve, I stopped 2" from the top.  At this stage I basted a strip of silk organza selvedge along the stitching line on one side only.  This then gets folded back so the press studs can be sewn to it.


For the 2nd side a placket is sewn to the seam allowance. 


Then the the clear press studs are sewn in place along both edges.




The sleeve has a large dart at the sleeve head which gives it a beautiful shape.


The neck facing had been sewn, trimmed and pressed and then it was time to trim the neck facing and armhole excess fabric.  I trimmed this on my tailors ham and then basted the neck facing edge and armsyce edges together. When I tried it on there was something not quite right so I undid the basting and got out my shoulder stand and realised that I had trimmed off too much of the neck facing, so the edges weren't meeting up evenly.  I was only able to stitch 3cm together along that edge, whereas the other side I could stitched 5cm on each side of the shoulder seam together.


I also left the armhole on the shoulder stand to baste the seams together so it was all sitting correctly.

Then it was the small bias binding on the sleeve hems.


Another feature Susan and I had decided on was to put a 7.6 cm (3") French Bias on the hem of my blouse to give it some weight.  The challenge was that when I measured one of my tops that I have finished, I am 29.5cm on the left hand side and 31 cm on the right hand side.  So I marked these spots on the top's hem and drew a chalk a line from each spot and then basted this line so I could try it on and get my friends to fine tune it for me during one of our weekends away.

The photo below shows the re-basted (adjusted line) and cutting off the excess fabric.  Now the basted line is the finished edge of the top.  I will need to mark up another 7.6 cm (3") and baste another line as this is where the French bias will have it's first stitching.


So to prepare for this next step I have made the bias binding and have it rolled on a toilet roll to stop it from being creased.


During another sewing weekend away the 2nd basting line was sewn in place,


and the bias was machine stitched along the blue basting thread, pressed, the excess fabric was cut away and the bias was folded to the inside to be slip stitched in place.

Thank you Jenny for the sparkles!
A press and I have a new top to wear for winter.




oops forget to pull it down
The photo below shows the picked zip and the underarm gusset when worn.


Now to find time to finish the 2 x Little French Jackets and Couture Skirt.

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2019 Stash Out: 3.3 m
2019 Stash In: 3 m

Sunday, May 5, 2019

Advent Knitting

Back in 2017 I was seeing Advent Knitting packs being shown all over the internet/instagram and I was intrigued.

So in 2018 I found Dingo Dyeworks, an Australian wool dyer in Perth and Sweet Georgia Yarns in the USA who are only a two of the many of producers of Advent Kits around the world.

I also realised that Ambah O'Brien, (knitwear designer) designed a wrap for the Advent Kits in 2018, so I signed up for Ambah's Newsletter and fell into the rabbit hole of the Advent boards in her group on Ravelry.

In July Ambah O'Brien opened up a board in her group "ADVENTurer KAL 2018" which shared links to all the Advents Kits that were available and I ended up purchasing two kits -

Dingo Dyeworks


which I emptied out of the box it came in into a nice cane basket I had at home.


Sweet Georgia Yarns


Ambah had also designed the ADVENTurer Scarf & Wrap pattern so I purchased this and decided to use the Dingo Dyeworks kit first.

It was fun to open a box each day, but my knitting wasn't as quick, but I did manage to cast-on on 1 December and do a few rows.


by 4 December I had only started my Day 2's colour.


It was interesting to see the new colours each day and I finally finished knitting it on 4 January 2019.


but I didn't get a chance to block it until 13 January where Katniss decided to help.


Here it is draped along the front fence.


I haven't had a chance to wear it yet and I am not 100% certain about the colours, only time will tell if it will get worn when the weather cools down.



The Sweet Georgia Advent kit is still waiting for me but first I have a couple of the knitting projects I need to finish.

The 2019 pre-orders for this years kits is up already on Ambah's page.  I am trying not to look!!